The Prom
Assistant Sound Designer
Embedded Files
Director: Andrew Barratt Lewis
Set & Projection Designer: Cully Long
Lighting Designer: Jessica Greenberg
Costume Designer: Fan Zhang
Hair & Makeup Designer: Monse Gutierrez
Sound Designer: Aaron Hubbard
Properties Designer: Ja'Reese Barber
Photos: David Daniels
This show used sound reinforcement to make the music larger then life.
This show used sound reinforcement to make the music larger then life.
Amphibians
This show was produced entirely by Weber State students
Sound Designer
Director: Lily Hilden
Set Designer: Porter Lance
Puppet Designer: Cully Long
Lighting Designer: Kace Barthlome
Costume Designer: Tabitha Sublette
Hair & Makeup Designer: Chelsea Christensen
Sound Designer: Ella Deichmann
Foley Artist: Issac Dunlap
Photos: David Daniels
This show had a Foley table that created live sound effects during the show. I found all of the objects and directed the foley artsit.
This show had a Foley table that created live sound effects during the show. I found all of the objects and directed the foley artsit.
Jane Eyre
Assistant Sound Designer
Director: Andrew Barratt Lewis
Set Designer: Cully Long
Lighting Designer: Marley Keith
Costume Designer: Julie Porter
Hair & Makeup: Madeline "Sock" Iverson
Sound Designer: Korey Lamb
Photos: David Daniels
This show had a realistic soundscape. The sound designer and I focused on making the show sound as real as possible.
This show had a realistic soundscape. The sound designer and I focused on making the show sound as real as possible.
Innovations theater
Innovations is a collaborative theater experience where shows are created fully by Weber State students
Sound Designer
I medusa
I medusa
The story of Medusa is told to highlight the grief victims of sexual assault face as they navigate the world post-trauma.
Director: Natalie Litchfield
Set Designer: Porter Lance
Lighting Designers: Chelsey Chapmen, Hunter Jex
Costume designer: Madison Grissom
Sound Designer: Ella Deichmann
Photos: David Daniels
5150
5150
The story of a comedian's mental health struggles and how we can rise from the darkness.
Director: Madison Grissom
Set Designer: Porter Lance
Lighting Designer: Kace Barthlome
Costume Designer: Citlali Urquiza
Sound Designer: Ella Deichmann
Photos: David Daniels
The soundscape for both of these plays focused on communicating emotions through sound. I' Medusa had almost no dialogue meaning the sound had to carry a lot of the weight.
The soundscape for both of these plays focused on communicating emotions through sound. I' Medusa had almost no dialogue meaning the sound had to carry a lot of the weight.
The Importance of Being Earnest
The Importance of Being Earnest
Assistant Stage Manager
Director: Tracy Callahan
Set Designer: Cully Long
Light Designer: Marley Keith
Costume Designer: Catherine Zublin
Hair & Makeup: Kylee Hoffman
Sound Designer: Jessica Greenberg and Carey Campbell
Photos: David Daniels
For this show, I was in charge of tracking props and writing rehearsal reports.
For this show, I was in charge of tracking props and writing rehearsal reports.
The Impracticality of Modern-Day Mastodons
Assistant Sound Designer
Director: Jenifer Koki
Set Designer: Jo Winiarski
Light Designer: Marley Keith
Costume Designer: Edward Snow
Hair & Makeup: Kylee Hoffman
Sound Designer: Jessica Greenberg
Photos: David Daniels
The soundscape focused heavily on Icelandic folk music to mix reality and mythical.
The soundscape focused heavily on Icelandic folk music to mix reality and mythical.
Something's Afoot
Assistant Stage Manager
Director: Andrew Barratt Lewis
Scenic Designer: Cully Long
Lighting Designer: Jessica Greenberg
Costume Designer: Catherine Zublin
Sound Designer: Spenser Johnson & Micah Maxson
Photos: David Daniels
For this show, I was in charge of tracking props running stage-right during the run.
For this show, I was in charge of tracking props running stage-right during the run.
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